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内以不同物象对应天干(甲至癸),由内向外

Midjourney Bot 更新时间:2025-03-17 00:34:25
提示词:Internally, different objects correspond to the heavenly stems (Jia to Gui), radiating from the inside out, and finally the end of the tenth ring (Gui) is subtly connected to the starting point of the first ring (Jia), forming a visual metaphor of "the endpoint is the starting point". The symbol of the two poles of life and death: left half (Jia Sheng): depicting the sprouting of "life" in the state of breaking through the soil and tender shoots, rising sun, and curled up baby. The colors are bright, with green and golden interwoven, and the strokes are delicate like gongbi. The oracle bone script "Jia" character lines faintly appear between the branches and leaves. Right half (Gui Die): Interpreting the silence of "death" through the images of withered trees, the sinking moon in the river, and the elderly turning into dust. The color tone is profound, with a blend of deep blue and gray black, and the "Gui" character appears as a crack in the turtle shell between the ink splashes. At the central junction: a blazing white light strip runs through the picture, with the left end turning into a new flame and the right end freezing into ice, sealing the spark in the ice, echoing the philosophical concept of "pregnancy in death". Detail imagery and natural element circulation: In the background, water flows from the mountaintop (A) and cascades into a waterfall, merging into a river (Gui), and transpiration returns to the mountaintop as clouds and rain; Fallen leaves sink into the soil, and new shoots are breaking through the soil. Star orbits and runes: The Milky Way in the sky spirals around the center Taiji, and the trajectories of the stars form the Heavenly Stem rune. The two brightest stars, A and Gui, are intertwined with each other like DNA double strands due to their gravitational pull. Metaphor of living beings: Butterflies flap their wings from the withered bones on the right, and flower buds bloom on the left where scales and powder fall; After swimming upstream to the abyss of Guiwei, the egg shells float back to the shallow waters of Jiawei. The color and light use the "yin-yang gradient" technique: the warm color on the left permeates to the right like blood threads, and the cold color on the right spreads to the left like frost marks, forming a purple gray chaotic zone at the junction, symbolizing the blending of life and death energy. The light source design is dual: the sun wheel above projects the light of vitality, and the earth veins below surge with a faint blue spiritual fire. The two collide in the center of the picture, casting distorted and overlapping shadows of all things, symbolizing the coexistence of the visible and hidden worlds. Cultural symbols embellish the texture of mountains and rocks, embedded with seal carvings of the Tao Te Ching's "The Movement of the Contrary Way"; The branches of the withered tree resemble the gluttonous patterns of bronze ware, and the veins hide the complex hexagrams of the Book of Changes; At the vortex of the water flow, a fragment of Zhuangzi's "Qi Wu Lun" appeared, and the ink characters dissipated and reorganized with the waves. The overall artistic conception of this painting is not a static scene, but rather a stagnant epic of time and space. As the viewer's gaze wanders, they can feel the balance between the restlessness of life and the tranquility of death in the confrontation. Upon closer inspection, every decline hides a budding, and every inch of new life leaves its mark and fades away. In the end, both fear and ecstasy dissolve in the beauty of the cycle itself- that is the ultimate emotion in the mercilessness of the heavens, the eternity in the fleeting birth and death. Paintism, --ar 1:1 --v 5.1 --tile --c 47 --weird 1518 --stylize 592

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中文提示词:内以不同物象对应天干(甲至癸),由内向外辐射,最终第十环(癸)的末端与第一环(甲)的起点隐晦相接,形成“终点即起点”的视觉隐喻。 生死两极的象征: 左半幅(甲生): 以破土嫩芽、初升朝阳、婴儿蜷缩之态表现“生”的勃发。色彩明丽,青绿与金黄交织,笔触细腻如工笔,枝叶间隐约浮现甲骨文“甲”字符纹。 右半幅(癸死): 以凋零枯树、残月沉江、老者化为尘埃之象诠释“死”的沉寂。色调幽邃,深蓝与灰黑晕染,水墨泼洒间“癸”字如裂纹隐现于龟甲。 中央交界处: 一道炽白光带曲折贯穿画面,左端化为新生火焰,右端凝为寒冰,冰中封存火种,呼应“死中孕生”的哲思。 细节意象 自然元素循环: 背景中水流自山顶(甲)倾泻为瀑布,汇入江河(癸),蒸腾为云雨重返山巅;落叶沉入泥土处,新芽正破土而出。 星轨与符文: 天际银河呈螺旋状环绕中心太极,星辰轨迹组成天干符文,甲、癸二星最为明亮,彼此引力交织如DNA双链。 生灵隐喻: 蝴蝶从右幅枯骨中振翅,鳞粉洒落处左幅花蕾绽放;鱼群溯游至癸位深渊后,卵鞘漂浮回甲位浅滩。 色彩与光影 采用“阴阳渐变”技法:左幅暖色向右渗透如血丝,右幅冷色向左蔓延似霜痕,交界处形成紫灰色混沌地带,隐喻生死能量交融。 光源设计为双重:上方日轮投射生机之光,下方地脉涌动幽蓝灵火,二者在画面中心碰撞,投射出万物扭曲交叠的影子,象征显隐世界的共生。 文化符号点缀 山石纹理中嵌《道德经》“反者道之动”篆刻; 枯树枝干形似青铜器饕餮纹,叶脉藏《易经》复卦卦象; 水流漩涡处浮现庄子《齐物论》片段,墨字随波消散重组。 整体意境 此画非静止场景,而似一部凝滞的时空史诗。观者目光游走间,可感生之躁动与死之宁静在对抗中达成平衡。细看每处衰亡皆暗藏萌发,每寸新生亦烙印消逝。最终,恐惧与狂喜皆溶于循环本身的美——那是天道无情中的至情,刹那生灭里的永恒。 绘画主义,
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