采用散点透视法,将画面分为三幕递进: 左

提示词:Using a scatter perspective method, the picture is divided into three progressive acts: Left section: At the confluence of the Qin and Wei rivers, willow banks meander, and three to five young girls lean down to gather orchids, their garments fluttering in the wind. Middle section: The main crowd clusters together, young men and women hold hands and gaze at each other, palm-held orchids reflecting against waist-tied peonies. Right section: An ancient bridge spans the waves, a man playing the sheng stands by the railing, sound waves transforming into ink-and-water ripples. Coloring- With a base of bright red, blush colors are used to tint the girls’ cheeks- Character clothing employs the "five colors in red" method: pomegranate red, coral red, crimson red, sandalwood red, and amber red intertwine- A unique "water shadow red" technique: alum water is applied to where peach blossom petals fall, then covered with cinnabar dye, creating translucent petals. Brushwork and ideas- Camellias are presented using the "broken ink dotting method": heavy ink outlines the muscles, clear water brushes break it apart, while still wet, cinnabar is dotted- Water flow utilizes a combination of "floating silk drawing" and "battle pen water pattern," subtly hiding the brush intentions of "Water Map"- Clouds and rosy clouds use the "boneless dyeing method," with ochre as a base, layered and dyed with cinnabar up to nine times. Cultural symbols 1. Hidden elements: The window frame of the thatched cottage shows a Bagua pattern, and mugwort hangs from the eaves. 2. Symbolic metaphors: The man wears a jade pendant symbolizing adulthood, while the woman’s earring shaped like a gourd suggests a desire for children. 3. Water texture secret language: Hidden in the ripples are the bird and insect seal characters for "Shangsi." If this scroll were rendered on Chengxintang paper with color, paired with gold-ink titles, it could perfectly present the fusion of joyous springtime and thoughts of ceremony and music. It is recommended to adopt the "changing scenery with movement" mounting method, allowing viewers to experience the beauty of the flow of time and space during the unfolding of the scroll. Chinese style, combining meticulous and freehand techniques, colors in the style of Dai Dunbang, with details handled appropriately, long scroll painting. --ar 135:20 --stylize 100 --niji 6
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